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Firebird Forensics – promo
PAUL RISSMANN: The plan for this week for everyone in this room is that we are basically going to remake Igor Stravinsky's 'Firebird' ballet score. They're just having really high level discussions about structuring their music and the music that they're making. And that's the point you want to get to.
ALEX MANTON: The techniques that Paul has taught us translates to the classroom so easily in ways that I never imagined possible.
PAUL RISSMANN: They should also be able to create their own music as well. And that's what we're doing here.
BRIDGETTE: He was just so enthusiastic. His constant positive attitude was just infectious, so we were all just like, yeah, we can do this.
ADELAIDE EASTLEY: Seeing how quickly they can adapt to new movement that they may not necessarily have been introduced to before was really interesting.
PAUL RISSMANN: We just put music on and the dancers started to dance and it just fitted together in the most perfect way you could imagine.
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